As the boy settled down for his viewing of The Damned, he could not quite tell what to expect. The title all but forbade any idle imagination; loss, darkness and consequences of made choices all came to mind. Even at 18, he had been interested in narratives with a psychological aspect in which emotions, which most people tried to hide, were dealt with. The Damned, he was sure, would be one of those films that promise much but really delivers much more. What that is, was not a jarring supernatural thriller but rather an exploration of guilt, remorse, Atonement and the damned damn decisions that people make and suffer with long after.
It is better to say that loss on David’s mind is a sort of scenario where a man has lost wife and he feels cue and grief excuse for such loss. However, while he and his friends are sheltered in a travel-worn hotel in the middle of nowhere and in the middle of a raging storm, the boy felt that all would not end well. Yet, what was more appealing to him was not the horrid place or the thunderous silence in the air – but rather how the characters in the book, and especially David, handled the burden of lost emotions. Throughout the entire narrative, it is clear for the boy that David was a man haunted by his past and therein, lies his weakness in that he seems stuck, guilty for something that no one has accused him of. This was not only a spatial phenomenon – but it also represented the self-imposed confinement in sheer buildings that people go into when they cannot come to terms with something in the past.
As the narrative progressed and the group unfolded the turpitude concealed in the inn, the boy got immersed in the conflict among the actors. They had motives that were beyond mere enjoyment, as past and present choices proved to be central to their action lever. It was easy for each of them to have a cross, a vice, and the boy couldn’t understand why it is the case with many people in real life. The image was not only an exercise in the battle against the outside force- evil but also in the fight against evil lying within.
It was David who the boy was always gravitating towards, especially David. He was not your ordinary kind of a hero. In fact, he was the total opposite, a deeply troubled one, who lost himself in rue and self pity. The boy was able to see in David how susceptible to self- hatred people are and how wrong and misplaced that self hatred could be. The evolution of David made the boy ask springer Von about Guilt and Atonement. Do people ever recover from their transgressions, or are they forever cursed with the choices they have made? It was a question that hung throughout the film, as the characters battled furies and furies both real and metaphorical.
The most terrifying thing about The Damned was the characterization of Ana – a strange girl who had been imprisoned in the inn’s basement for years. Everyone has the group to thank as they manage to spoil things and in doing so little do they know they put everything in peril. Nevertheless, what struck the boy, was not only the horror that Ana came with, but more towards what happened before. Ana wasn’t just a supervillain whose existence was completely bad and evil; she was an ordinary woman who was subjected to something horrific that none of the characters understood or wished to even attempt to understand. He understood that just like David and all the others, even Ana was one who inherited ugliness from her past and instead of getting rid of it, she had walls built within her to shield them.
With the chaotic escalation of the dared supernatural, the boy’s mind wandered into the areas of the central themes of the movie. It was not just another tale of a ghost or a ghost child—a rather distorted love story—but it was about how the roots of one’s history affect the world today, even the decisions that people take… the ones that one wishes not to think of, only come back to bite them. The inn, with the peeling paint and the overhanging shadows of the past, came to mean the burden of unspoken emotions and tasks that have not been accomplished. The boy came to understand that The Damned was not simply about the people being confined to some geographic area. Rather, it was about the people being confined within the constraints of their own psyche without progress because they have unresolved issues from the past.
It was the interplay between David and his daughter, Jill, that seemed to touch the most sensitive strings in the heart of the boy. well, their relationship was not pristine either, as David’s wife had died, and there was always the emotional scar that had developed since then. For all intents and purposes, the fight to shield Jill that David rightly or wrongly fought through most of the film has in many instances become the way David’s redemption of self has been fashioned, a way to make sense of the pains he feels after the death of his wife. It appeared to him that this was an effective example of how people look for redemption and healing in other people, feeling that by saving or taking care of someone they will somehow be relieved of their internal suffering.
With the cumulation of tension in the film with the climax approaching and Ana’s curse seemingly threatening to suck everybody in, the boy found himself dwelling on the decisions that the characters had made. Each one had their own turning point — moments which most of them faced head-on, the repercussions which they sought to avoid. For David, it came down to a decision: to be the man who saved the people he loved or to be a coward and run away from the guilt. The boy was fascinated by the manner in which the film presented this in, with more emphasis on making it look like a decision rather than some noble or heroic action. David was no traditional hero; rather he was a man who was coming to grips with the concept that everybody has to lose themselves in order to be saved.
In the closing indefinitely, as David resigned himself to death as others tried to escape the Inn, the boy understood that the film *The Damned wasn’t only about how to survive situations like this. It was about confronting the very issues that can follow a person throughout their life however much they try to shake them off. It was about the feeling of remorse and how easy it is to let it engulf you without discovering how to deal with it. Through it all, David’s tale had tragedy, but there was also a tale of hope. The way of history was not cursed to him; he liberated himself from his history with the long sought resolution to confront it.
As much as he expected the boy did not leave his seat as the end credits rolled. This was to be the last time wondering if with all the strong feelings that The Damned elicited in him. It was not a simple slasher film; it was a film about the decisions that people make and the consequences of those decisions on their lives. People cannot escape the boundaries of their past, which is a statement of fact, but it does not imply that they are hopelessly imprisoned in those boundaries. The boy understood that redemption was not a simple journey of eliminating all that contained your mistakes. It was about the constructive acceptance of your mistakes and the acceptance of your life as it is.
Ultimately, The Damned was more than just a film about horror based on the supernatural; it spoke of the psychological struggles that every person goes through—the conflict of one’s own guilt and the possibility of redemption—and the belief that however terrible the past may be, there is always a chance of looking for light again. The boy’s reaction to the film was also not one of fear, but rather instilled a sense of coming to terms with the concept of forgiving others as well as oneself.
Watch Cartoon on Kisscartoon
